luzdetusonrisa

inspiration and introspection on history, politics and the visual arts

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The Son of the Prophet Journeys to the Land of the Believers

April 22, 2016 by Mariamma Kambon

The earliest image of my family was captured with Marcus Garvey’s portrait occupying the position typically reserved for White Jesus in the West Indian home.   “Children, children! Children, children! Humble yourself and be calm, one day somehow You’ll remember him, you will No one remember old Marcus Garvey No one remember old Marcus Garvey Garvey’s old, yet young Garvey’s old, yet young” – Old Marcus Garvey, Burning Spear   “My trod was in the livity and order. I honored […]

Categories: Personalities, Uncategorized • Tags: African Diaspora, African Liberation, black god, Black Power, Bob Marley, breadfruit trees, Burning Spear, caribbean, Clyde Noel, colonialism, dreadlocks, Ethiopia, family, family portrait, flags, food independence, Haile Selassie, Harris Promenade, In the Lion's Den, Jamaica, Julius Garvey, Junior Bisnath, luz de tu sonrisa, luzdetusonrisa, Marcus Garvey, Marcus Mosiah Garvey, Mariamma Kambon, New York, photography, postcolonial, prophet, Ras Daniel, rasta, Rastafari, Rastafarian, red black and green, resistance, San Fernando, Steel Pulse, Trini Levi, Trinidad and Tobago, twelve tribes, Twelve Tribes of Israel, white jesus, Worth his weight in gold

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David Hammons/ Obeah Man

March 23, 2016 by Mariamma Kambon

The art of David Hammons usually beckons to me from wherever it is perched within a group show. How can someone who uses such a myriad of methods and media have a voice so distinct amid the ambitious cacophony of contemporary art? It is the obeah in the thing – the spirit of the miraculous and the rebellious. It is the profundity revealed in the quotidian that allows his voice to rise above the rest. Obeah is black magic some […]

Categories: Exhibition, Uncategorized • Tags: african amerian, African American, african art, artist, bird, black magic, boukman, champ, David Hammons, dreadlocks, Exhibition, fine art, five decades, fur coat, Harlem, human hair, installation, Kongo, mal yeux, malcolm x blvd, maljo, Mariamma Kambon, mass incarceration, mau mau, mnuchin gallery, New York, nkisi, Obeah, obeah man, okomfo anokye, orange is the new black, photography, power figure, rebellion, resistance, slavery, snowball, standing room only, tribal art, Trinidad and Tobago, visual arts

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Asha Means Life: An Introduction

June 1, 2012 by Mariamma Kambon

In late summer 2011, I overnighted with Asha and her family while in transit to work on another project. I began snapping as Asha created pockets of order in the chaos that ensued the night-before-the-first-day-of-school. Weeks later, I realized there was an emotional charge to the images. Still nascent, the project “Asha Means Life” came into being with that moment. It features my mother’s namesake – a young mother herself, an artist and a Caribbean immigrant – and the visual […]

Categories: Uncategorized • Tags: Asha, caribbean, children, dreadlocks, family, identity, immigrant, miami, motherhood, photography, rasta, Trinidad and Tobago

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